b Lowell MA 1834 d London 1903  Related Paintings of James Abbot McNeill Whistler :. | Symphony on White No 2 Little White Girl (nn03) | Arrangement in Black, | Study of a Head | Arrangement in light pink and black, portrait of Theodore Duret | Symphony in White no 1: The White Girl - Portrait of Joanna Hiffernan |
Related Artists:
Paul von Franken
(1818- 1884 ) - Painter painted Paul von Franken. View of Tiflis in 1866
Henri-Lucien Doucet
(1856-1895) was a French figure and portrait painter, born in Paris, where he studied under Lefebvre and Boulanger, and in 1880 won the Prix de Rome. His pictures are usually piquant, sparkling representations of modern life, eminently Parisian in style, but the audacious realism of his earlier work is not maintained in his later, which is somewhat characterless. His portraits in pastel are also notable. His most widely known picture is Apres le bal (After the Ball, 1889). Other excellent examples are the portraits of Celestine Galli-Marie as Carmen (1884, Marseille Museum), La princesse Mathilde Laetitia Wilhelmine Bonaparte and My Parents (1890, Lyons Museum), A Spanish Woman (Pontoise Museum), and Nude Figure (1890). He was awarded a first-class medal for pastel in 1889 and the Legion of Honour in 1891. His painting A Skating Party, of 1893, was exhibited at the Chicago World Fair or the World's Columbian Exposition, which was held from May to October 1893 in Chicago in honour of the 400th anniversary of Columbus' discovery of the New World. Goupil made a limited edition first impression photogravure of the painting.
Perov, Vasily
Russian Painter, 1834-1882 Russian painter. Son of a public prosecutor, he studied intermittently at Arzamas from 1846 to 1849 at the Art School of Alexander Stupin (1776-1862), a classicist painter whose School was the first of its type in provincial Russia, and during the 1850s at the Moscow School of Painting, Sculpture and Architecture under Sergey Zaryanko. The work of Pavel Fedotov, pictorial satire in the press and genre scenes by the Old Dutch masters and William Hogarth were the greatest formative influences on Perov. His early works, permeated by a Biedermeier romantic spirit, combine detailed brushwork with anecdotal narrative and aim at criticizing social behaviour in line with the contemporary democratic doctrines of such writers as Nikolay Chernyshevsky. Such anti-clerical pictures as the Village Sermon (1861; Moscow, Tret'yakov Gal.) are distinguished by a particular irony. As in the prose of Nikolai Leskov, which has many affinities with Perov's painting, there is a conflict between feelings of love and hatred, and between an intimate knowledge of the daily life of the people and an alienating irony. In 1862-4 Perov travelled abroad, working mainly in Paris, where he painted a series of vivid genre scenes of city life. Perov's success as a genre painter reached its peak in the latter half of the 1860s. His compositions become more laconic and expressive; overcoming an indisciplined use of colour, he achieved an impressive unity with an austere greyish-brown palette. Such works as the Drowned Girl (1867) and the Last Tavern by the City Gates